This list could have easily devolved into a breathless ode to the profoundly zooted production at the core of Madvillainy. User account menu. “Whenimondamic” pairs Wildchild’s casual threats to lyrically murder other crews with a whimsical beat of Madlib’s invention. On Bandana, Madlib and Freddie Gibbs hone their styles even further, with “Fake Names” epitomizing the album’s raw, cinematic vibe. Mostly black or European, Chinese. “Solitude” appeared on Dudley Perkins 2003 album A Lil’ Light, but is better experienced as a pure instrumental. in early 2016. simple production on “Raid” makes for a minimalist track, matched perfectly by MF Doom’s intricate rap style. , “Slim’s Return” bounces along on the bass strings of a sample of “Book of Slim,” originally performed by the jazz-blues master Gene Harris. The beat rides along atop a cheeky bassline (the main reason this song, It’s a perfect opening line, every bit as inviting as “Lolita, light of my life, fire of my loins.” But it’s really just an entrance into another one of DOOM’s stream-of-consciousness excursions that has little to do with a party running critically low on alcohol. Jelly. Anything, man. 5-6 was “Dil Cosby & Dil Withers Suite” — a tribute to his collaborator and “musical cousin,” J Dilla. But it remains the great chicken-spot tribute of the decade — a portrait of the chicken-spot as it pertains to Gibbs: “KFC, Harold’s, Sharks or Popeyes / Adidas suit with a plate of chicken, got mob ties / […] A plate of chicken with the bread stuck to the bottom / But fuck my enemies, what you looking for?
Another standout from Shades of Blue, “Slim’s Return” bounces along on the bass strings of a sample of “Book of Slim,” originally performed by the jazz-blues master Gene Harris. Both producers take center stage and hold their own with heavy-weight rapping. Horn stabs punctuate a … An impeccable display of rhythmic samples, “Thuggin’” is a peerless track, taken from Madlib and Freddie Gibb’s first collaborative album, Pinata – which features contributions from an array of artists, including Danny Brown, Earl Sweatshirt and Ab-Soul. But it remains the great chicken-spot tribute of the decade — a portrait of the chicken-spot as it pertains to Gibbs: “KFC, Harold’s, Sharks or Popeyes / Adidas suit with a plate of chicken, got mob ties / […] A plate of chicken with the bread stuck to the bottom / But fuck my enemies, what you looking for?
has complete control of his craft, with a music video that gives the track a, sense of timelessness.
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