Armed with a Marshall and his trusty top hat, Slash has been rocking the stage since the 80’s. Slash often uses his rhythm pickup for lead playing, with the tone knob turned way down. theres a reason they make em ahah, on your amp dont full blast the gain, have more treble than mids and medium bass.

Slash's Appetite for Destruction tone was a borrowed replica of a '59 LP built by ghostbuilder Chris Derrig, equipped with Seymour Duncan Alnico II Pro pickups, which are quite different from PAFs. Press question mark to learn the rest of the keyboard shortcuts, Jazz/Fusion | too many guitars/too many amps, Xaviere | Fender | Mesa | Chapman | PRS | Gibson. Those stock epi pick ups SUCK SO HARD!!!! you don't need new pickups. The Appetite and Illusion albums were modified JCM 800's so the Lead 1 channel on the DSL is the place to go. Some are only decent, while others can sound like that. I was slash in a gnr tribute band so I know all about this tone search and I had it NAILED. The closest you're going to get is a Marshall Silver Jubilee, which was just reissued. A look at the gear and dials used to produce the optimal Slash amp settings and tone. New comments cannot be posted and votes cannot be cast. It was a modified Marshall Super Tremolo with an extra gain stage. Get a tube marshall. That was good but missed the mark in some areas. Your technique is a big part of what you sound like. On a 2x12 about half inch from the grill and the internal speaker right up on the grill. The exact amp that Slash used was so good that he tried to steal it.

I had the previous version. There are a few benefits though that going for the DSL 40 over the DSL 20. Joined: Apr 7, 2012 ... Now these settings are perfect for recording with a shure sm57. Marshall DSL40C Slash Tone?

Discussion in 'The Tone Zone' started by davidcf, May 10, 2013. I love having a variety of pups to change up my tone when ever I feel like it. Page 2 of 2 < Prev 1 2. The secret to Slash's tone on Appetite for Destruction was a Marshall JCM800 that he rented. In my experience, most players trying to get the classic rock tone use too much gain, not realizing that volume (and pots, in general) don't have a linear correlation with the sound.

After a while I grew tired of fighting it and moved it along and got a Mesa Lonestar Special. What pickups should I put on this guitar to make it sound like slash' les paul in SWEET CHILD OF MINE? just stock PAFish?

They recommend just a regular old Epiphone Les Paul '60s Tribute that has the American Gibson pickups into a Marshal DSL40 combo, along with a Duncan pickup booster pedal. This new Marshall is hitting it well upon first impressions. A live tone is going to be different no matter what guitar & amp you're using just for these reasons. According to Gibson, his settings for his dirty tone on his 100-watt Marshall are as follows: presence, 7; bass, 7; midrange, 4.5; treble, 7; output master, 6; lead master, 10; input gain, 6.5. presence, 0; bass, 9; midrange, 3; treble, 5 ½; output master, 10; lead master, 0; input gain, 4. A 4 x 12 has a lot of low end so set the presence at about 10 o'clock (4) to compensate. THe gain should be set anywhere from 12 o'clock to 2 o'clock.

And it's since been lost, and nobody knows where it is. Thanks for visiting. The exact amp that Slash used was so good that he tried to steal it. You probably don't need new pickups. And DON'T YOU DARE PLAY THIS SONG IN A GUITAR SHOP. Since back in the 70's and 80's they were all hand built, so they were all slightly different. It's got some strange robotic knob preset feature but sounds dope as hell. Since back in the 70's and 80's they were all hand built, so they were all slightly different. Cheap pickups probably aren't the issue. Discussion in 'The Tone Zone' started by davidcf, May 10, 2013.

But for his riff work as above. Let me know how you go. The treble is much more important for clarity. Cookies help us deliver our Services. DSL40. Bucket head was the only guitarist in GnR for the last 20 years that could match Slash in any way. And I applaud your choice. A lot of people are commenting on your question. Not that difficult really... 99% certain the issue isn't in your pickups. On a 4 x12 have the 57 about one inch max from the grill. Also Slash has signature pickups from SD and they're relatively cheap. Actually the guy who is responsible for modding it sells an amp.

Just a Les Paul into a cranked Marshall. As far as pedals he also uses a 12 dB booster for solo parts, an MXR Sub Machine Octave Fuzz (I have one of these myself, though I just learned recently that Slash uses one too), a Boss DD3 delay, an MXR phaser, and a chorus for the intro to Paradise City. Especially for ACDC type tones too. By continuing we assume that you're ok for us to store cookies on your device. Now that I know where the issue is, I need to make sure it doesn't come back with other settings of that pot. On your amp, try dialing back the gain and increasing the volume. A look at the gear and dials used to produce the optimal Slash amp settings and tone. Also, on a recording, keep in mind that it's been through a lot of processing - EQ'ing, compression, other types of mastering adjustments.

I think he is the best guitarist ever. With rich functionality including the ability to move between two sounds within each gain channel, players can experiment and release their personality through sound. I have several cheap epiphones and expensive Gibson's. Both amps are loud enough for small gigs or miking through a sound system, and the half-power settings make either ideal for playing at more moderate volume levels at home.

If you're looking for pickups that Slash actually uses, he uses http://www.sweetwater.com/store/detail/APH2sBK?adpos=1t1&creative=105744828601&device=c&matchtype=b&network=g&gclid=CjwKEAjwlfO3BRDR4Pj_u-iO2U0SJAD88y1Sj7NoWqldADobauB5-yeDp0R9r9vHfRmLvmjTu_NqoRoCsqXw_wcB.

What amp are you using? That said, you'll have a very tough time getting that exact tone. Armed with a Marshall and his trusty top hat, Slash has been rocking the stage since the 80’s. The amp you're playing into is the big tone changer.

Really its going to come down to the amp / maybe a ds-1 in there to boost / add more dirt. I’m the guy that posted info and pics on the cap mod to help relieve the fizzy brightness of the 40c. Slash is lucky that Axl finally let him back in the band. This is also extremely close to the settings he used with Eric Valentine on the solo records. I have the tb4, 59 set, and the slash set and a ton of other pups.

Home; By Artist; Patches; Create a patch; Live Editor; Login; Register; PC Editor; Help; Guns N' Roses. By using our Services or clicking I agree, you agree to our use of cookies. EDIT: http://caswellamps.studioelectronics.com/products.html. For bedroom playing or rehearsals you may want to increase the presence a tiny bit, not much.

That's not really accurate actually.

The Marshall DSL 20 is a very solid amplifier as well.

But that is another story. Not even Slash.It's best to your own tone and have fun.The more you play and better you become, you will find the tone is mostly within your fingers. During Slash’s two-decade break from the band, he enjoyed success with Myles Kennedy and The Conspirators, and Velvet Revolver. I too have been inspired by his tone in that album. Some are only decent, while others can sound like that. Another was to add an extra gain stage: http://www.slashsworld.com/equipment/amps/the-appetite-amp-story/sweet-marshall-o%E2%80%99-mine-part-2-the-breakthrough-case-closed/, https://www.youtube.com/watch?v=kvPzUSuN_mY. Thank you very much!!! (You must log in or sign up to reply here. The Seventy 80 is a rather shrill bright speaker compared to what Slash uses which is a Vintage 30. The reason the presence is so low is because an SM57 has a presence peak from about 4-7k, not far off the presence frequency on your amp. You can switch the Marshall back to 20 W or still having more channels to choose from. Eric Valentine was boosting midrange and 10k on the Slash records, outside of the presence frequency of the amp. I ll be honest. Here I will list the advantages of both the Marshall DSL 40 and then the DSL 20. The Marshall DSL 40 has more tonal options. Here's a link: https://www.youtube.com/watch?v=hMqOtADu204. If anything, it's a bit edgier than Slash, but it works. His signature pickups, also built by Seymour Duncan, are actually the same Alnico II Pros except with different cosmetics (and exposed coils). What amp / pedals do you have. Zoom in to see the dial positions (in red characters) and notes: And a shot of the DSL40C post tube swap:

I just thought it was interesting as heck, and sometimes new tube amps have some new innovative stuff going on. This site uses cookies to improve your experience.

Just gone leave his here http://imgur.com/WXmdeSS, check out this video interview with his guitar tech https://www.youtube.com/watch?v=Z9aB9qreSqQ, slashes sound is a pretty stock les paul into a marshall tube amp. I am obsessed with les pauls. I just love slash. The tubes in it are a big bottle looking tube which I think I have identified as EL34B they are Marshall logo VLVE00092.

The lead 2 channel has a midrange boost and is awesome for Slash style solo work.

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