Many have felt that the youthful rider faces unknown dangers in the strange and somber landscape, with its mountainous rocks crowned by a mysterious building, its dark water, and the distant flare of a fire. Start by marking “The Polish Rider” as Want to Read: Error rating book. The Polish Rider is a seventeenth-century painting, usually dated to the 1650s, of a young man traveling on horseback through a murky landscape, now in The Frick Collection in New York. June 2018 Several portrait identifications have been proposed, including an ancestor of the Polish Oginski family, which owned the painting in the eighteenth century, and the Polish Socinian theologian Jonasz Szlichtyng. Let us know what’s wrong with this preview of, Published Read reviews from world’s largest community for readers. by MACK. When the painting was sold by Zdzisław Tarnowski (pl) to Henry Frick in 1910, there was consensus that the work was by the Dutch painter Rembrandt. This book is not yet featured on Listopia. There are no discussion topics on this book yet. The painting may instead portray a character from history or literature, and many possibilities have been proposed. Be the first to ask a question about The Polish Rider. This attribution has since been contested, though this remains a minority view. The idealised, inscrutable character has encouraged various theories about its subject, if the picture is a portrait. At the beginning of the twentieth century, Alfred von Wurzbach suggested that Rembrandt's student Aert de Gelder might have been the author, but his opinion was generally disregarded. The full text of the article is here →, {{$parent.$parent.validationModel['duplicate']}}, 1-{{getCurrentCount()}} out of {{getTotalCount()}}, https://en.wikipedia.org/wiki/The_Polish_Rider, Self-portrait with Saskia in the Parable of the Prodigal Son. But if The Polish Rider is a portrait, it certainly breaks with tradition. The first western scholar to discuss the painting was Wilhelm von Bode who in his History of Dutch Painting (1883) stated that it was a Rembrandt dating from his "late" period, that is, 1654. Candidates range from the Prodigal Son to Gysbrech van Amstel, a hero of Dutch medieval history, and from the Old Testament David to the Mongolian warrior Tamerlane. But Bruyn's remained a minority opinion, the suggestion of Drost's authorship is now generally rejected, and the Frick itself never changed its own attribution, the label still reading "Rembrandt" and not "attributed to" or "school of". The rider’s costume, his weapons, and the breed of his horse have also been claimed as Polish. Source: Art in The Frick Collection: Paintings, Sculpture, Decorative Arts, New York: Harry N. Abrams, 1996. The romantic and enigmatic character of this picture has inspired many theories about its subject, meaning, history, and even its attribution to Rembrandt. But if The Polish Rider is a portrait, it certainly breaks with tradition. Somewhat later, Abraham Bredius examined the picture quite closely and had no doubts that its author was Rembrandt. The Polish Rider [Ostoya, Anna] on Amazon.com. *FREE* shipping on qualifying offers. The Polish Rider book. Both the quality of the painting and its slight air of mystery are commonly recognized, though parts of the background are very sketchily painted or unfinished. A 1998 study published by the RRP concluded that another artist's hand, besides that of Rembrandt, was involved in the work. Throughout most of the twentieth century, there was general agreement that the painting was indeed by Rembrandt and even Julius S. Held, who at one time questioned its Polish connection, never doubted Rembrandt's authorship. Rembrandt may have started the painting in the 1650s, but perhaps he left it unfinished and it may have been completed by someone else. Others believe that the outfit of the rider, the weapons and even the breed of horse are all Polish. Just a moment while we sign you in to your Goodreads account. Nevertheless, Rembrandt’s intentions in The Polish Rider seem clearly to transcend a simple expression of delight in the exotic. Loggy and Alex’s friendship in Miami’s redeveloping Liberty Square is threatened when Loggy learns that Alex is being relocated to another community. Equestrian portraits are not common in seventeenth-century Dutch art, and furthermore, in the traditional equestrian portrait the rider is fashionably dressed and his mount is spirited and well-bred. However, in 1984, Josua Bruyn, then a member of the Rembrandt Research Project (RRP) tentatively suggested that certain characteristics of the work of Willem Drost, another student of Rembrandt, could be observed in the painting. It’s October, which means it’s the perfect time to scare yourself with a truly unsettling book. Those few scholars who still question Rembrandt's authorship feel that the execution is uneven, and favour different attributions for different parts of the work. But if The Polish Rider is a portrait, it certainly breaks with tradition. Welcome back. We’d love your help. Goodreads helps you keep track of books you want to read. It is possible that Rembrandt intended simply to represent a foreign soldier, a theme popular in his time in European art, especially in prints. Candidates have included an ancestor of the Polish-Lithuanian Oginski family Marcjan Aleksander Ogiński, as asserted by the 18th-century owners of the painting and the Polish theologian, Jonasz Szlichtyng. The Polish Rider The rider’s costume, his weapons, and the breed of his horse have also been claimed as Polish. More recent opinion has shifted even more decisively in favor of the Frick, with Simon Schama in his 1999 book Rembrandt's Eyes, and scholar Ernst van de Wetering, chair of the Rembrandt Project (Melbourne Symposium, 1997), both arguing for attribution to the master. To see what your friends thought of this book, The 40 Most Popular Horror Novels of the Last 5 Years. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more. In particular, Rembrandt rarely worked on equestrian paintings, the only other known equestrian portrait in Rembrandt's work being the Portrait of Frederick Rihel, 1663 (National Gallery, London). Refresh and try again. The rider’s costume, his weapons, and the breed of his horse have also been claimed as Polish. In the winter of 2015, Ben Lerner wrote a short story, The Polish Rider, incorporating fictionalized elements of the. There has also been debate over whether the painting was intended as a portrait of a particular person, living or historical, and if so of whom, or if not, what it was intended to represent. When the painting was sold by Zdzisław Tarnowski (pl) to Henry Frick in 1910, there was consensus that the work was by the Dutch painter Rembrandt . The painting has also been described as a latter-day Miles Christianus (Soldier of Christ), an apotheosis of the mounted soldiers who were still defending Eastern Europe against the Turks in the seventeenth century. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). The Polish Rider is a seventeenth-century painting, usually dated to the 1650s, of a young man traveling on horseback through a murky landscape, now in The Frick Collection in New York. Dutch equestrian portraits were infrequent in the 17th century and traditionally showed a fashionably dressed rider on a well-bred, spirited horse, as in Rembrandt's Frederick Rihel. Though the mysterious and somewhat solemn expression on the Rider's brilliantly painted face point to Rembrandt,The Polish Rider is unlike Rembrandt's other work in certain other ways.

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